Mademoiselle Kenopsia

A film by
Denis Côté

Mademoiselle Kenopsia

Genre

Fiction

Country

Quebec, Canada

Year

2023

Format

Color - 1.85

Length

80

Language

French, English
Director's notes
Cast

Larissa Corriveau, Evelyne de la Cheneliere, Olivier Aubin, Hinde Rabbaj

Crew

DIRECTING: Denis Côté

SCREENPLAY: Denis Côté

PRODUCTION: Guillaume Vasseur (Voyelles Films)

CINEMATOGRAPHY: Vincent Biron

SOUND: Jean-François Caissy, Terence Chotard, Stéphane Bergeron

EDITING: Terence Chotard

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Synopsis

Set on carrying out her task with dedication, a woman is obsessed with watching over anonymous interiors and occupying them. Both a custodian of the premises and a ghostly presence, she becomes an echo of how we relate to time, solitude and the melancholy of forsaken spaces.

Festivals & awards

Lorcano Film Festival

Toronto International Film Festival

Rencontres internationales du documentaire de Montréal

Reviews

Mademoiselle Kenopsia is a mesmerizing, rich, bewildering, and enchanting experimental masterpiece.

Mehdi Balamissa

Film Fest Report

Reviews

In Denis Côté's Mademoiselle Kenopsia, the writer-director creates an eerie and hypnotic world.

Reviews

Corriveau delivers a mesmerizing performance that infuses each gesture with precision and magnetism.

Winnie Wang

Cinema Scope

Director

About
Biography
Denis
Côté

Nobody's Violence I 2026

Paul I 2025

Days Before the Death of Nicky I 2024 I Short film

Mademoiselle Kenopsia I 2023

That Kind of Summer I 2022

Social Hygiene I 2021

Wilcox I 2019

Ghost Town Anthology I 2019

A Skin So Soft I 2017

Boris Without Béatrice I 2016

Joy of Man's Desiring I 2014

Vic and Flo Saw a Bear I 2013

Bestiaire I 2012

Curling I 2010

Carcasses I 2009

All that She Wants I 2008

Our Private Lives I 2007

Drifting States I 2005

Filmography

Denis Côté (1973 - New-Brunswick, Canada) has shot fifteen short-films in the 90s and 00s. He has been a journalist and film critic before directing his first feature film Drifting States (Les états nordiques) in 2005, launching a sustained and prolific creative rhythm. Carcasses (2009) was presented at Cannes’ Quinzaine des réalisateurs. Curling, his fifth feature film, won honors at the 63rd Locarno Film Festival and was presented at more than 80 festivals. In 2013, Vic+Flo Saw a Bear (Vic+Flo ont vu un ours) won the Silver Bear for Innovation at the 63rd Berlin International Film Festival (Berlinale). His award-winning films explore themes of solitude and alienation through often eccentric characters. Highlighted in more than forty retrospectives worldwide, his distinctive signature was recognized with the Prix Albert-Tessier in 2024, the highest honor in cinema awarded by the Government of Quebec. Nobody’s Violence (2026) is his 17th feature film.

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