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Larissa Corriveau, Evelyne de la Cheneliere, Olivier Aubin, Hinde Rabbaj
DIRECTING: Denis Côté
SCREENPLAY: Denis Côté
PRODUCTION: Guillaume Vasseur (Voyelles Films)
CINEMATOGRAPHY: Vincent Biron
SOUND: Jean-François Caissy, Terence Chotard, Stéphane Bergeron
EDITING: Terence Chotard
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Set on carrying out her task with dedication, a woman is obsessed with watching over anonymous interiors and occupying them. Both a custodian of the premises and a ghostly presence, she becomes an echo of how we relate to time, solitude and the melancholy of forsaken spaces.
Mademoiselle Kenopsia is a mesmerizing, rich, bewildering, and enchanting experimental masterpiece.
In Denis Côté's Mademoiselle Kenopsia, the writer-director creates an eerie and hypnotic world.
Corriveau delivers a mesmerizing performance that infuses each gesture with precision and magnetism.
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Nobody's Violence I 2026
Paul I 2025
Days Before the Death of Nicky I 2024 I Short film
Mademoiselle Kenopsia I 2023
That Kind of Summer I 2022
Social Hygiene I 2021
Wilcox I 2019
Ghost Town Anthology I 2019
A Skin So Soft I 2017
Boris Without Béatrice I 2016
Joy of Man's Desiring I 2014
Vic and Flo Saw a Bear I 2013
Bestiaire I 2012
Curling I 2010
Carcasses I 2009
All that She Wants I 2008
Our Private Lives I 2007
Drifting States I 2005
Denis Côté (1973 - New-Brunswick, Canada) has shot fifteen short-films in the 90s and 00s. He has been a journalist and film critic before directing his first feature film Drifting States (Les états nordiques) in 2005, launching a sustained and prolific creative rhythm. Carcasses (2009) was presented at Cannes’ Quinzaine des réalisateurs. Curling, his fifth feature film, won honors at the 63rd Locarno Film Festival and was presented at more than 80 festivals. In 2013, Vic+Flo Saw a Bear (Vic+Flo ont vu un ours) won the Silver Bear for Innovation at the 63rd Berlin International Film Festival (Berlinale). His award-winning films explore themes of solitude and alienation through often eccentric characters. Highlighted in more than forty retrospectives worldwide, his distinctive signature was recognized with the Prix Albert-Tessier in 2024, the highest honor in cinema awarded by the Government of Quebec. Nobody’s Violence (2026) is his 17th feature film.