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Ariane Legault, Sébastien Ricard, Marie-Ève Bertrand, Jean-Marc Dalpé, Hélène Florent, Hugues Frenette
DIRECTING: Catherine Martin
SCREENPLAY: Catherine Martin
PRODUCTION: François Delisle (Film 53/12)
CINEMATOGRAPHY: Mathieu Laverdière
SOUND: Marcel Chouinard, Simon Gervais, Stéphane Bergeron
MUSIC: Robert Marcel Lepage
EDITING: Natalie Lamoureux
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Chantal is a secretive young girl. She lives with her sick mother and unemployed father. When her mother dies, she leaves the family home for the Gaspé peninsula. She brings with her a photo of a beach where her mother longed to return. Chantal tries to find the place, but in vain. After wandering around for days, she runs out of money and finds refuge with Serge, a taciturn farmer, on his small farm in the backcountry.
Serge hires Chantal, and slowly, these two lonely people get to know each other. The natural landscape around her inspires Chantal to open up to the world and its beauty. The farm is in trouble. Serge is resisting his sister Laura’s attempts to unload what remains of their family property. They have reached an impasse.
Serge and Chantal gradually take to one another. The film is the story of the way they meet and form a bond.
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Catherine Martin was born in Quebec. She completed college studies in visual arts and went on to pursue fine arts at Concordia University in Montreal, where she studied film and photography. Catherine Martin writes and directs all of her films. She independently produced her short films, including Nuits d’Afrique (1990) and Les fins de semaine (1995). In 1998, she directed her first documentary, Les dames du 9e, followed in 2001 by her first feature-length fiction film, Mariages. She subsequently directed Océan (2002), Dans les villes (2006), L’esprit des lieux (2006), Trois temps après la mort d’Anna (2010), and Une jeune fille (2013). Her films have been presented at numerous international festivals (Berlin, Toronto, Oberhausen, Nyon, Buenos Aires, Shanghai, Karlovy Vary, etc.) and have won awards in Quebec and Canada as well as internationally. Three of her films—Mariages, Océan, and Trois temps après la mort d’Anna—were named among Canada’s Top Ten films of the year at TIFF.

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